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The Beauty of Line – Part 3: The Contour Portrait

Page 2

Constructive Line Drawing

The constructive line drawing is generally a preparatory study for a more sustained work such as a painting. It is a traditional study of form and proportion. The drawing by Ingres, the leading artist of the French Classical school of painting, is a preparatory drawing for the larger commissioned painting. Ingre’s masterful handling of black and red conté renders firm contours and delicate tonal nuances of form.

Learn to draw. Portrait drawing faces.
J.A.D. Ingres, Study of a Portrait of Madame Moitessier, circa 1844

Learn to draw. Portrait drawing faces.

My agenda for this contour drawing of a young girl was to impart a sense of fluidity and movement with a deliberate economy of means. This meant that I had to draw with both sureness and accuracy.

Using a ‘B’ black conté crayon on a sheet of Canson drawing paper I first surmised the overall height/width proportion of the young girl’s head and then loosely drew an incomplete arabesque that described the outside shape of her hair, the far side of her face and the neckline of her blouse.

Keeping my lines as succinct as possible I fixed the tilt of her head and decided to inscribe a left to right rhythmic dynamic in how the drawing would be read. (A left to right reading is called in sinisterium. The Italian word for ‘left’ is sinistra.)

Learn to draw. Portrait drawing faces.

Learn to draw. Portrait drawing faces.

Placing the facial features was the most difficult part: not only did I have to get the proportions right at the outset but I also needed to consider the expression of the drawing.

As always I took my best guess at the vertical placement of the brow ridge and then checked its accuracy by sighting. Next was the base of the nose – take your best guess first, this trains your eye, and then measure.

The placement and arabesque of the interstice (the opening) of the mouth followed. When drawing the mouth you should always establish the interstice first. It is significantly easier to place than the vermilion borders of the lips and, more importantly, the interstice determines the expression of the mouth.

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