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Basic Training trains you to know exactly how to go about beginning a drawing, how to analyze a subject, how to measure and sight to establish the proper proportions of your subject. In a very short time you will understand how to translate what you see into drawings that look and feel three dimensional. In Basic Training you will learn to master your drawing materials - how they work, what kind of marks they make, the proper way to maintain them and which materials work best for your desired outcome and you will have tons of fun and enjoyment along the way. The second part of Beginning to Draw is Plasticity: Form & Structure. This 2-hour program begins with training you to draw single object and then proceeds to composing and drawing a multi-object still-life. The third part is your 2-hour Introduction to Portrait Drawing. No matter how far you decide to go, learning how to draw correctly from the start and developing a rock solid foundation based on time-tested principles is the key to your success.
Your First Step ... Your first skill to be acquired is to be able to readily assess simple shape and proportion. Using the lessons and skill-building exercises in my Beginning to Draw Workshop you will be well on your way to mastering drawing. From sketching in the simple shape of the head it is only a matter of knowledge and experience (the knowledge I teach, the experience you gain by drawing) to get to a highly resolved drawing like this one which was done using sanguine conte. This is how all of the masters begin a drawing or painting. The untrained artist will always begin with a detail, such as an eye, and proceed from there; and the result will usually be the same - an exercise in frustration. This skill of sketching in the simple shape of an object or a portrait is called striking the arabesque and it is the singularly most important drawing skill you can acquire. Once you have acquired the drawing skill of accurately striking an arabesque, whether it is for portrait drawing, still-life or landscape, etc., then the interior placement of the features, or landmarks, is a relatively straight forward endeavor. There are no tricks, sleight of hand or dazzling short-cuts in learning how to draw and paint. The traditional approach of learning how to draw is to train you to actually see what you are looking at and then applying what you see to paper. This is the surest method to building a solid foundation upon which you can grow as an artist. And every accomplished artist has undergone this training at some point in their career. The workshop is accessible to everyone who wants to learn how to draw. It is a self-contained education designed for both home and class study. The content of Beginning to Draw is equal, and more!, to a 12-week college-level foundational art course at a fraction of the cost. “About” the Contents A sneak Preview |