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Now the real fun begins. Using my fingers (make sure that they are oil free) I stump down the blocked-in conté so that it is smoothed out and ground into the paper. This stumping-in is not a willy-nilly madness but a careful modeling of form. The result will not be particularly pretty and that’s OK.
Using a clean kneaded eraser (in fact, one that has never been used with another medium such as charcoal, graphite, etc.) the lights are first painted out and the forms of the features are further suggested. Ideally you want to be painting out the lights with a sculptural sensibility.
As you learn to draw and model form this idea of drawing with a sculptural sensibility will take on a greater clarity as you achieve ever more subtle, yet strong, plastic form in your portrait drawing.
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